Murder on the Orient Express
Agatha Christie is not the bestselling novelist in history for nothing, and Ken Ludwig’s adaptation strikes the perfect balance of the cerebral and the comic. Get on board – it’s a great ride.
– Houstonian Magazine
A love letter to the original material, with a swift moving script adaptation by Ken Ludwig... Everything you could want – broadly drawn characters, exotic settings, and a spectacular murder with no shortage of suspects.
I felt myself leaning in with the entire audience when detective Poirot tells us he’s figured out who did it. What a climax! When the train whistle blows in the theater, all we need to do is sit down, shut up and enjoy.
– The Houston Chronicle
The fast-moving, powerful theatrical locomotive Murder on the Orient Express will get you to a better place, and slay you merrily en route.
– Hartford Courant
Auditions will be held in August 2021. We are seeking a diverse cast for this show, and encourage and welcome people of all ethnicities and genders to audition.
Equity, Diversity & Inclusion:
Ghostlight Theatre Ensemble encourages all community members to participate in Ghostlight productions. We believe that local live theatre should provide a supportive environment for creative expression for people of all genders, ethnicities and backgrounds. Every day, we work to ensure that Ghostlight is a safe, welcoming space where all members of our cast, creative team, production crew, volunteers and audience members can learn, grow, and create.
We are proactively working towards greater diversity within the cast of our shows. This is an on-going process, and we recognize that it is our responsibility to broaden our reach to ensure that BIPOC and LGBTQ+ community members are aware of upcoming auditions, and to ensure that they feel welcome to join our productions. We are also broadening our reach to attract BIPOC directors and production team members. We know this can make a significant difference in generating greater diversity at our auditions.
Eight suspects. One thrilling ride.
It is winter in 1934. The Orient Express is travelling through Europe when just after midnight, a snowdrift stops it in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Isolated and with a killer in their midst, the passengers rely on detective Hercule Poirot to identify the murderer – in case he or she decides to strike again.
Adapted for the stage by Ken Ludwig, based on
Murder on the Orient Express by Agatha Christie